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Many a time, nevertheless, during the evening she despaired of fate and of herself. She did not invoke God, we very well know, but she had faith in the genius of evil--that immense sovereignty which reigns in all the details of human life, and by which, as in the Arabian fable, a single pomegranate seed is sufficient to reconstruct a ruined world.
Milady, being well prepared for the reception of Felton, was able to erect her batteries for the next day. She knew she had only two days left; that when once the order was signed by Buckingham-- and Buckingham would sign it the more readily from its bearing a false name, and he could not, therefore, recognize the woman in question--once this order was signed, we say, the baron would make her embark immediately, and she knew very well that women condemned to exile employ arms much less powerful in their seductions than the pretendedly virtuous woman whose beauty is lighted by the sun of the world, whose style the voice of fashion lauds, and whom a halo of aristocracy gilds with enchanting splendors. To be a woman condemned to a painful and disgraceful punishment is no impediment to beauty, but it is an obstacle to the recovery of power. Like all persons of real genius, Milady knew what suited her nature and her means. Poverty was repugnant to her; degradation took away two-thirds of her greatness. Milady was only a queen while among queens. The pleasure of satisfied pride was necessary to her domination. To command inferior beings was rather a humiliation than a pleasure for her.
She should certainly return from her exile--she did not doubt that a single instant; but how long might this exile last? For an active, ambitious nature, like that of Milady, days not spent in climbing are inauspicious days. What word, then, can be found to describe the days which they occupy in descending? To lose a year, two years, three years, is to talk of an eternity; to return after the death or disgrace of the